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Music on the Porch
June 22, 2018 @ 7:00 pm - 8:30 pm
I’ve wanted to host a monthly musical event for several years now and just kicked it of in January 2018 on a small scale. We are gathering the 4th Friday of each month on the side porch of our WW2 army barracks at 7pm to enjoy a different musician each month, usually a singer songwriter and always someone talented and interesting. Sweetie’s Cafe, who normally closes for the day at 3pm, serves dinner by reservation those nights at 6pm and the music follows on the porch at 7.
This month, June 22, locals Valerie Levy and Bob Cubbage will entertain us with a couple of jazz sets; Bob on the piano and Valerie singing her heart out. See their musical bios below.
Each of these monthly events are donation based, meaning the audience should come prepared to make some sort of a monetary donation. We want this to be a sustainable event and hope locals and visitors alike will appreciate the talent and nice evening out and be happy to pay for it. We would love to have folks donate between $10 and $30 per person to make it attractive for the artists to come. Three of our 5 artists so far have traveled 4 hours to perform and this is how they make their living. Besides a cash donation, I am happy to donate the space, my time to promote the event, set it up and clean it up at the end of the evening in hopes it will be a permanent Dunnellon event and possibly increase to weekly . The real goal is to outgrow the porch and fill the historic train depot. That will require rent and probably insurance so for now, we’ll continue to get the word out, attract talented artists and stay put at Grumbles until we know this is something Dunnellon residents will sustain.
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Bob Cubbage
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For some reason, I have never created a resumé of my musicalbackground. I don’t know why; perhaps I was never called upon toprovide one. Of course, in the competitive world of music in New York(or Nashville, or L.A., et al), the best resumé would take second place tosimply auditioning for the job. Moreover, when I landed an apprenticeshipat Mark Century Corporation, to learn the art of commercial production,as well as master editing, the fact that I had absolute pitch, as well as afeeling for the rhythms in human speech, carried much more weight thanthe fact that I was a piano major at Denison University.Anyway, here is some of my musical background, in a nutshell.I began playing at the age of three. My mother used to relate the story ofmy performing “Pistol Packin’ Mama” with one finger.I began serious piano lessons at the age of nine. When I was twelve, mypiano teacher insisted that I audition for the Preparatory Division ofJuilliard School of Music. I was there for one year. Later, I was a pianomajor at Denison.During the late 60s, I began playing production piano for stock theatre.Some of the more memorable productions were “The Fantasticks,”“Camelot,” and “Company.” In later years, the work that I spentmemorizing these scores, as well as others, would hold me in good steadwhen I performed at such venues as the Sherry Netherland and OneFifth.What is really important about my musical background is the fact that itprovided an introduction to the world of audio production. Studiomusicians, as a rule, are pretty fussy about who works on their recordedmasters. In my case, the fact that I had worked at Mark Century as amaster editor and was performing at a major piano lounge, gave me agreat deal of credibility. And the more I worked, the better I became untilI found myself in demand by numerous artists, record companies andmusic publishers – all this without any advertising or marketing. In fact, Iwas probably the only production facility with an unlisted phone number!At this time, I am devoting my energies to restoration of all of myanalogue master tapes, as well as performing the service music at anEpiscopalian church on Sunday mornings. I am also a production pianistfor several vocalists. This is in addition to helping my wife manage ourfarm
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